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Allgemein

by Bibuser last modified 2007-12-04 15:23

References to publications, sorted by year and author.

There are 283 references in this bibliography folder.

Luyster, A
Playing with animals: the visual context of an arthurian manuscript (Florence, Pal. 556) and the use of ambuigity
(2004)
Word & Image, 20:1-21.

Lővei, P
Drache und Schlange. Heraldische Elemente auf den mittelalterlichen Wandbildern der Pfarrkirche von Siklós
(2003)
Acta Historiae Artium Academiae Scientiarum Hungaricae, 44(1):59-70.

Maddalo, S
I santi Giorgio e Silvestro e l'ideologia politica della riforma nel ciclo pittorico dell'Immacolata di Ceri
(2012)
In: Le Plaisir de l'art au Moyen Age: Commande, production et réception de l'oeuvre d'art. Mélanges en hommage à Xavier Barral i Altet, ed. by Rosa Alcoy et al.. Picard, Paris, pp. 678-685, Festschrift.

Maguire, H
Adam and the animals: allegory and the literal sens in early Christian art
(1987)
Dumbarton Oaks Papers, 41:363-73.

Mane, P
L'iconographie des manuscrits du Traité d'agriculture de Pier de' Crescenzi
(1985)
Mélanges de l'Ecole française de Rome. Moyen Age-Temps modernes, 97:727-818.

Marshall, J and Meredith, P
The Wheeled Dragon in the Luttrell Psalter
(1980)
Medieval English Theatre, 2(2):70-73.

Marx, S
The miserable beasts: animal art in the Gospels of Lindisfarne, Lichfield and St Gallen
(1995)
Peritia: journal of the Medieval Academy of Ireland, 9:234-245.

Marx, S
The miserable beast: animal art in the Gospels of Lindisfame, Lichfield and St.-Gallen
(1995)
Peritia, 9:234-245.

Meroz, L
Note sur le symbolisme du "Tétramorphe"
(1974)
Nova et Vetera, 49:34-43.

Mery-Boudet, J
Adam und die Tiere
(1964)
xx.

Meyer-Schapiro
The Bowman and the Bird on the Ruthwell Cross
(1963)
The Art Bulletin, 45:351-55.

Michel, P
Tiere als Symbol und Ornament. Möglichkeiten und Grenzen der ikonographischen Deutung, gezeigt am Beispiel des Zürcher Großmünsterkreuzganges
(1979)
Wiesbaden.

Milinović, D
Nec Vi Nec Insidiis, Leo Et Draco: the Lion, the Dragon and the Triumph of Christ
(2009)
Ikon, 2:53-62.

Millet, J
L'animal dans l'art: symbolique et iconographie
(1984)
Paris, SOS Manuscrits.

Monnas, L
Silk textiles in the paintings of Bernardo Daddi, Andrea di Clione and their followers
(1990)
Zeitschrift für Kunstgeschichte, 53:39-58.

Morrison, E
Beasts Factual and Fantastic
(2007)
Los Angeles, J. Paul Getty Museum.

Morsink, SG
Joris de Drakendoder op vroege Russische ikonen
(1994)
Antiek: Tijdschrift voor oude kunst en kunstnijverheid, 29(5):26-31.

Muratova, X
Sulle piastrelle in terracotta della chiesa di Anglona
(1996)
In: Santa Maria di Anglona : atti del convegno internazionale di studio promosso dall'Università degli s, ed. by XX. Congedo, Galatina, pp. 119-120.

Murphy, H (ed.)
Animals into Art
(1988)
Oxford, Pitt Rivers Museum.

Musakova, E
Geometriyata i zmeyat
(2002)
Godishnik na Sofiǐskiya Universitet “Sv. Kliment Ohridski”. Tsentǔr za slavyano-vizantiǐski prouchvaniya “Ivan Duǐchev”, 90(9):175-185.

Museum Boymans-Van Beuningen
Het dier in de prentkunst: grafiek uit de 15de tot de 17de eeuw
(1974)
Rotterdam, Tentoonstellingscatalogus.

Mussetter, S
Animal miniatures in the Book of Kells
(1977)
Medievalia, 3:119-30.

Müterlich, F and Gaehde, JE
Carolingian Painting
(1976)
New York, George Braziller.

Naud, C
Le dragon dans l’art roman de Poitou-Charentes
(1972)
Poitiers.

Neaman, JS
The Mystery of the Ghent Bird and the Invention of Spectacles
(1993)
Viator, 24:189-214.

 
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